Tag: dissertation

Research

Finally in Print! — “Time Traveling with Care: On Female Coolies and Archival Speculations”

Frances Tran

I received my copy of the June 2018 American Quarterly last week and I couldn’t be more thrilled to see my essay, “Time Traveling with Care: On Female Coolies and Archival Speculations,” in print at last in a journal that I’ve been following since I began my graduate studies. That it appears alongside the words of Kandice Chuh, Jodi Melamed, Douglas Ishii, and other scholars who have been vital mentors and interlocutors for my research over the years is all the more reason why I will hold this AQ issue close.

The essay itself has gone through numerous revisions, from its early beginnings as a term paper for Robert Reid-Pharr’s seminar on “African American/Africana Literature and Culture,” as an ASA conference presentation, and dissertation chapter, which is also to say that many people contributed their time, energy, and wisdom to supporting its realization in this current form. Any remaining shortcomings are of course mine but I wanted to share my acknowledgments again here to make visible the often unseen, unpaid labor that goes into the life of a publication like this:

This essay benefitted from the insights of many eyes. I would like to thank Kandice Chuh, Duncan Faherty, the members of my dissertation writing group, and my colleagues on the Committee on Globalization and Social Change at the Graduate Center, CUNY, for their generous feedback on earlier drafts. Many thanks also to Cathy N. Davidson, the two anonymous reviewers, and the Board of Managing Editors at American Quarterly for sharing the critical insights that helped me realize my vision for this piece in its final stages. Lastly, I want to thank my sister, Sharon Tran, for her unflagging support; the meditations on what it means to approach an archive with care in this essay are, in part, indebted to her always careful reading of my work.

There are many others who haven’t been mentioned here by name, including an entire class of students that I taught at Queens College who challenged and deepened my thinking about Patricia Powell’s The Pagoda more than I could have ever anticipated; their questions and energy animates this essay as well. I look forward too to the ways in which future readers will take up and give continued life to this work in the years to come.

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Thoughts

On Beginnings

Frances Tran

This is a post that I was planning to write in January at the start of the new year, but I am glad that life and work got in the way because beginnings have taken on a sharper, more intense meaning for me these last few weeks. And, for once, the timing feels just right that I’m getting this writing in on the eve of Lunar New Year.

It would be wrong, of course, to say that beginnings are a new preoccupation of mine. Much of my scholarly work has been a meditation on and an effort to articulate other beginnings for Asian American studies and Asian Americanist critique. Thinking through the historic establishment of the field, the constraints of identitarian epistemologies, and other geographies for Asian America are some ways I’ve confronted questions around the objects and objectives, the scope, scales, and stakes of Asian American studies.

At the same time, beginning the dissertation that would become my current book project was a struggle. I have written elsewhere about the anxiety of embarking on an Asian American cultural studies project, about fears that it would delimit the possibilities and audiences for my research and confine me to  what is natural, expected, and known–an Asian American woman who would, of course, study Asian American literatures and cultures. And yet, recognizing that these concerns, which I’ve come to describe as the feeling of being minor, are not personal or individual, but rather structural and systemic–evidence of institutional racism and the effects of compartmentalizing minoritized knowledges–was a pivotal moment in my academic career and intellectual life.

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Research

Following Wild Mushrooms: A Letter to Anna Tsing

Frances Tran

Dear Anna,

I have been a fan of your work since I read Friction: An Ethnography of Global Connection (2005) at the beginning of my graduate studies, so I don’t know why it has taken me this long to pick up The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (2015). But since I started reading it in late August, I can’t stop thinking about your project.

It offers such a captivating invitation- to follow the lifeways of matsutake, wild mushrooms, and the lives it assembles. Who would’ve thought that a project could be built around a single type of mushroom? …But you did. I’m sure there were and still are people who would dismiss a work like this for daring to focus on something so small and, some would say, insignificant. And yet, you elegantly show us how following matsutake opens up whole worlds.

Your work has attuned me to new ways of seeing and understanding received categories and concepts–capitalism, ecology, labor, freedom, precarity, and ruin. I am still in awe of how deftly you take readers from the day-to-day struggles of mushroom foragers searching for matsutake in the forests of Oregon and the complicated stories of how and why they began picking mushrooms for a living, to consider broad-scale questions about ecological devastation and forest renewal, to how matsutake enter capitalist markets and informal gift economies in Japan.

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Research

Strategies for Staying Focused on Dissertation Writing

Frances Tran

As the semester begins to really hit its stride, I often find myself getting sidetracked from dissertation writing with student groups, fellowship applications, committee service, research, and day-to-day life. This post, which is yet another way of hitting pause on actual “dissertating,” will hopefully still be a productive form of self-accounting- a reminder that I do have strategies in place for staying focused and generating written material. It might even be useful to you, so here are some things that help me:

Devising a realistic writing schedule. I  have found that blocking out concrete blocks of time during your work week and treating those hours like classes that you simply cannot miss is a helpful way of staying on track. The “realistic” part of this strategy is also key- you need to take into account that certain days will be busier than others depending on your work and personal commitments, so maybe you can dedicate 4 hours on Wednesdays, but only 2 on Fridays. (Some people also establish a set number of pages or words to measure productivity- I’ve tried this in the past, but discovered that not meeting these quotas can cause even greater stress and anxiety. Instead, by counting hours rather than pages, at least I feel a sense of accomplishment for putting in the time).

Keeping a research journal. Mine is a small spiral notebook that I try to keep with me always so I can record random thoughts and sudden sparks of inspiration. This journal is also what I turn to when I hit a roadblock in my dissertation- I use it to free-write, brainstorm ideas, and reflect on the development of my project. It’s different from the book I use to write notes for class  because I really want it to be a space for thinking through my research.

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Research

Writing about the Dissertation

Frances Tran

As I prepare for dissertation workshops and fellowship applications in the fall, I am reminded of this important piece of mentoring advice:

Don’t just write your dissertation, but write about it and often.

Writing about your project can be frustrating, unnerving, and even painful, but I have found that it keeps me grounded- it forces me to think about the stakes of my work and reminds me of who I am speaking to, which can be incredibly energizing. In light of this, I have decided to share some of the writing “about” my  dissertation that Duncan Faherty (Associate Professor of English at Queens College and the Graduate Center, CUNY)  invited us to complete for the American Studies dissertation workshop I am taking this fall. As always, it took me longer than expected to complete (and is of course far from perfect), but it did get me thinking about my project and the challenge of communicating it to others who might not be familiar with my topic or areas of research.

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