Research

Working with an Archive

Now that I have finished transcribing the letters I photographed from the “Ballards Valley and Berry Hill Penn Plantation Records, 1766-1873” at Duke University (see this post), one of the challenges I am facing is figuring out what to do with the archival research I have gathered. In other words, how do I incorporate this material into my project in a way that is more critically engaging than a simple “show-and-tell”?

Before actually working with the Ballards Valley records, I had intended to use the photographs and information I collected to provide context for and enhance an analysis of Patricia Powell’s The Pagoda (1998), a novel that describes the tensions between Asian coolies and freed Blacks in mid-nineteenth century Jamaica. But during those long hours in the archive, struggling to decipher and make sense of the handwritten correspondence between plantation managers and absentee owners in London, I became acutely aware of how desperately I was searching for traces of coolies in letters, account book entries, and ledger pages.

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Research

Reading the Archive

Last week, I traveled to Duke University to conduct archival research for the second chapter of my dissertation, which investigates how the figure of the Chinese coolie and the history of the coolie trade could reconfigure the spatiotemporal dynamics of the construct “Asian America,” including questions around diaspora and memory. This chapter engages explicitly with Patricia Powell’s The Pagoda (1998), a novel that relates the story of a queer female coolie struggling to cope with a racist colonial system in nineteenth century Jamaica. In order to further contextualize my reading of the novel and to enhance my capacity to approach questions about the practice of archival research and knowledge production, I decided to visit the David M. Rubenstein Rare Book & Manuscript Library. The main collection I researched was the “Ballard’s Valley and Berry Hill Penn Plantation Records, 1766-1873,” which consists of account books, ledgers, and papers for a plantation in St. Mary’s Parish, Jamaica.

Working with the Ballard’s Valley records this summer was my first experience handling archival materials so it took me a while to get adjusted, but the staff at the Rubenstein Library was incredibly patient and helpful in terms of explaining the proper procedures and numerous do’s and don’ts for working with fragile documents.

One of the challenges I wasn’t prepared for was the difficult process of deciphering the handwritten letters between the plantation owners and managers. Since this correspondence, which documents the transition from slave to coolie labor on the plantation was the main reason for my visit, I realized that the bulk of my time in the archives would be spent training myself to read these letters, to try to make sense of what was actually written, but also to learn how to read between the lines and recognize what remains unaccounted for and unsaid.

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Mentoring

Mentoring Lessons

Last Friday, the Mentoring Future Faculty of Color project (MFFC) held its final lunch and lecture series so I wanted to use this opportunity to reflect on what has been an incredibly inspiring and generative spring program. First, I’d like to thank Nikhil Pal Singh (Associate Professor of Social & Culture Analysis and History, New York University), Aliyyah Abdur-Rahman (Associate Professor of African and Afro-American Studies and English, Brandeis University), and Tina Campt (Professor of Africana and Women’s Gender and Sexuality Studies, Barnard College) for agreeing to share their research and engaging us in conversation. Thanks also to my amazing allies in MFFC whose energies and organizing skills helped make these events such a success.

All three lectures raised important questions that have pushed me to reflect more critically on my own scholarship. Professor Singh’s talk, “Race, Crime and Police Power in the Making of U.S. Empire” reminded me of the important histories of racialized criminality and policing in the United States that will inform my thinking as I explore contemporary forms of racialization and disciplining that manifest within the U.S. academy today. Professor Abdur-Rahman’s discussion of her book, Against the Closet: Black Political Longing and the Erotics of Race (2012), introduced a different genealogy for African American literature by tracing the development of tropes of sexual difference, which both excites and inspires me to find other ways of reading and conceiving Asian American literatures in my research. Finally, Professor Campt’s presentation on the serendipitous encounters that led her to her current work on convict photo albums (collected at the Archives of the Western Cape in South Africa) and the haptic dimensions of working in the archive are lessons I will take with me as I prepare for my own archival encounters in the David M. Rubenstein Rare Book and Manuscript Library at Duke University this summer.

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